Description
The author, who often travelled with Fonteyn and Nureyev, offers a revealing introduction and commentary as counterpoint to his panoramic master prints--a photographic history that records the drama of the incredible dancers both on and off stage.
Read More
Keith Money was beginning the first of his noted photographic books on the ballet exactly at the time the great partnership between Margot Fonteyn and Rudolf Nureyev was formed, and from the start he had a privileged view of the moulding of the two dancers into the team that was to take the world by storm in the Sixties.Money's camera often recorded matters on an hour-to-hour, day-to-day basis, from first rehearsals to public performance, and to complete certain sequences, the photographer (who had become a close friend of his subjects) travelled extensively.
Read Less