W. O. Mitchell jokingly called himself the great rerun king, but his retellings of age-old conflicts between humanity and the Devil strikingly display his versatile adaptive talents.The Black Bonspiel of Wullie MacCrimmon is a whimsical take on the Faust legend with a distinctly Canadian flavour. Filled with wry humour and set against the backdrop of a timeless small-town dynamic, the story of Wullie MacCrimmon's curling duel with the Devil is a prairies-based tour de force.The Devil's Instrument depicts a Hutterite teenager struggling with conformity in a puritan society. Mitchell's devil in this play is a figure of sympathy, but lines such as "Happy? I am free!" invite the question: is it better to conform to society or to freely express artistic impulses?Presented with an introduction by his son and daughter-in-law, Orm and Barbara Mitchell, this collection provides humour, sobriety, and wonderful storytelling with a dash of the infernal.
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W.O. Mitchell jokingly called himself the great re-run king, but his retellings of age-old conflicts between humanity and the Devil strikingly display his versatile adaptive talents. The Black Bonspiel of Wullie MacCrimmon is a whimsical take on the Faust legend with a distinctly Canadian flavor. Filled with wry humor and set against the backdrop of a timeless small-town dynamic, the story of Wullie MacCrimmon's curling duel with the Devil combines the edginess of Marlowe's classic tale with the down-to-earth wry Canadian humor of "Corner Gas.". The Devil's Instrument depicts a Hutterite teenager struggling with conformity in a puritan society. Mitchell's devil in this play is a figure of sympathy, but lines such as "Happy? I am free!" invite the ambiguity of whether it is better to indulge in what seems natural, or strive for the divine. Introduced by Ormond Mitchell and Barbara Mitchell and including original production photography, this collection provides humor, sobriety, and wonderful storytelling with a dash of the infernal. An essential, whimsical part of Oxford's new Outlooks on Canadian Literature series.
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