Description
Terrill (writing, Minnesota State University-Mankato) pays homage to jazz greats including Stan Getz, Dexter Gordon, and John Coltrane, and recounts his long relationship with a music that has touched every part of his life. Excerpts from Fakebook have appeared in such journals as North American Review , Crab Orchard Review , and Brilliant Corners: A Journal of Literature and Jazz . Lacks a subject index. Annotation c. Book News, Inc., Portland, OR (booknews.com)
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(Limelight). A "fakebook" is a collection of melodies with the chord changes that allows jazz musicians to read the tunes instead of playing solely by ear and memory. It is, then, a place to start, a structure upon which jazz improvisation, "faking," builds. As a young man, the author, a jazz saxophone player, tried to make a living at what he loved most. He failed, gave up jazz and became a college English professor. Today he is playing his saxophone again, at weekend gigs, rediscovering the unending challenge and the fulfillment that jazz brings him. This journey of self-discovery demonstrates the power of both jazz and superbly crafted writing.
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