Description
In The Comfort of Women, the oddly passive Nicky Bayless undergoes a sexual re-education at the hands (and not only the hands) of a parade of desperate women who both lead and follow him through an underworld of erotic extremity. The narrator of The Dress is troubled by a simple object that may have supernatural properties. “My wife changed when she wore The Dress; she was the Ashley who came to being a few months ago. She was the wife I preferred, and I worried about that. I understood that The Dress was, indeed, an entity all its own, with its own agenda, and it was possessing my wife.” In Drama, playwright Jonathan falls into an affair with actress Karen after the collapse of his relationship with director Kristine. But Karen’s free-fall into debauchery threatens to destroy them both.
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In The Comfort of Women, the oddly passive Nicky Bayless undergoes a sexual re-education at the hands (and not only the hands) of a parade of desperate women who both lead and follow him through an underworld of erotic extremity. The narrator of The Dress is troubled by a simple object that may have supernatural properties. "My wife changed when she wore The Dress; she was the Ashley who came to being a few months ago. She was the wife I preferred, and I worried about that. I understood that The Dress was, indeed, an entity all its own, with its own agenda, and it was possessing my wife." In Drama, playwright Jonathan falls into an affair with actress Karen after the collapse of his relationship with director Kristine. But Karen's free-fall into debauchery threatens to destroy them both.
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