Description
Looks at the interrelationship between art and history, suggests why New York replaced Paris as the center of modern art, and discusses the ideology of American artists
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"A provocative interpretation of the political and cultural history of the early cold war years. . . . By insisting that art, even art of the avant-garde, is part of the general culture, not autonomous or above it, he forces us to think differently not only about art and art history but about society itself."--New York Times Book Review
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