Anyone who has spent any time messing around with boats — wooden boats in particular — knows that those cunning curves, endless seams, and rotting wood hold more than practical challenges. All boats have histories, some more poignant than others, and few narratives of the past few decades have captured the mystique of a boat’s provenance (in this case Chris Craft) or more touchingly depicted the ties that boats often create between father and son than this classic by Joe Soucheray.
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Anyone who has spent any time messing around with boats - and wooden boats in particular - knows that those cunning curves, endless seams, and rotting wood hold more than practical challenges. All boats have histories, some more poignant than others, but few narratives have captured the mystique of a boat's provenance (in this case Chris Craft) or depicted more touchingly the ties that boats often create between father and son than this classic of remembrance and resurrection by Joe Soucheray.First published in 1989, Waterline is - at least on the surface - the story of the author's struggle to restore (properly) an aged and almost derelict seventeen-foot Chris Craft Deluxe utility motorboat. The restoration of old boats in serious trouble seems to have been a family ritual; whenever there was a family crisis or emotional upheaval, the author's father had proceeded along similar lines. This link between father and son, and between the men and their boats, forms the emotional substrate of this wonderfully winning and moving narrative. It tells the story, really, of two restorations: one of an old boat and the other of the relationship between father and son.Waterline is the detailed story of a three-year "restoration project" that ends in both triumph and tragedy. It is the story of how physical work can bind us together in ways we only dimly understand, and of how nothing can be more satisfying, more challenging, more obsessively engaging than bringing an old boat back to life.
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