Born to nomadic and bohemian parents who rarely had time for her, the author presents a portrait of her childhood, detailing her many homes, from an orphanage in Manhattan to a sugar plantation in Cuba.
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Born in the twenties to nomadic, bohemian parents, Paula Fox is left at birth in a Manhattan orphanage. Rescued at the last moment, she is taken into the care of a poor but cultivated Congregational minister in upstate New York. But her parents soon resurface. Her handsome father is a hard-drinking raconteur and screenwriter (among his credits is The Last Train to Madrid, called by Graham Greene "the worst movie I ever saw") who is, for young Paula, "part ally, part betrayer." Her mother, a frightening, infrequent presence, is given to icy bursts of temper that punctuate a deep indifference. How, Fox wonders, is this woman "enough of an organic being to have carried me in her belly?"Never sharing more than a few scattered moments with their daughter, Fox's parents shuttle her from one exotic place to another. In New York City she lives with her passive Spanish grandmother. In Cuba she wanders about freely on a sugarcane plantation owned by a wealthy distant relative. In Florida she is left with a housekeeper she has known only for days. In California she finds herself cast away on the dismal margins of Hollywood. Throughout, famous actors and literary celebrities glitteringly appear and then fade away - John Wayne, F. Scott Fitzgerald, Maxwell Perkins, Orson Welles, James Cagney, and Stella Adler, to name a few. The thread binding Fox's wanderings is the "borrowed finery" of the title - a few pieces of clothing, almost always lent by kindhearted strangers, that offer Fox a rare glimpse of permanency.
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